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ROGER MAYER Voodoo 1
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ROGER MAYER VOODOO 1. The Voodoo 1 has been designed and optimised to suit a wide range of pickups. It is the best choice for humbucking pickups and produces bright clear tone colours that will make solos stand out without sounding too thin. The Voodoo 1 will make small amps sound like big stacks. The distortion produced feels particularly tube like in operation and the Voodoo 1 slips into distortion with silky smoothness and compression characteristics usually only associated with vintage classic tube amplifiers.
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ROGER MAYER Voodoo Axe
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ROGER MAYER VOODOO AXE. Roger Mayer has taken the classic Axis fuzz sound and added a very effective Fatness control which extends and tightens the low end response without becoming woolly and indistinct. The very tight and extended low end was expressly designed to compliment the use of dropped tunings and dynamically responds very well to this new range of modern sounds. The Voodoo Axe reacts in a human way to the players touch as it uses a significant part of this information to continuously adjust it's operating point.
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ROGER MAYER Voodoo Bass
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ROGER MAYER VOODOO BASS. The Voodoo Bass is so named because it adds a gutsier bass equalisation to the Voodoo-1 distortion sound. This enables players who favour single coil pickups to reproduce quite effortlessly the rounded, bluesy sound of classic pickups such as the Gibson P90. The comprehensive Gain and Tone variation provided by the Voodoo Bass enable a very wide range of distortion sounds to be created from the compressed, just clipped sustain of traditional Chicago Blue to the sweet scream of full tube overload. This guitar effects pedal also works very well with Bass Guitar as an increasing number of bass player are rediscovering the joys of adding both compression and distortion to their sound.
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ROGER MAYER Rocket Classic Fuzz
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ROGER MAYER ROCKET CLASSIC FUZZ. Roger Mayer's Classic Fuzz incorporates the same modifications that they personally developed for Jimi and can be heard on his early recordings. PNP Germanium transistors of the exact same type that were used in the early versions are very carefully selected for gain and stability to produce the rich smooth rounded tones that the later version NPN silicon transistors failed to emulate. It is unquestionably the most accurate "Vintage fuzz effect" manufactured today that replicates the sound of the early Hendrix tracks.
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ROGER MAYER Rocket Stone Fuzz
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ROGER MAYER ROCKET STONE FUZZ. The Roger Mayer Stone Fuzz is the latest fuzz guitar effect in the Rocket Series and is a modern evolution from the fuzz pedals they modified for Jimi. The Stone Fuzz maintains the guitars original tone characteristics with the open sound and sonic heritage that is the trademark of Jimi's recordings. Roger Mayer has added a few new features and advantages that will appeal to those players who strive for a modern sound with strong roots in the past.
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ROGER MAYER Rocket Octavia
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ROGER MAYER ROCKET OCTAVIA. The octavia produces a sound that is an octave higher than the note you are presently playing. This doubling effect is accomplished through electronic mirror imaging techniques that are program sensitive and also respond to the feedforward inputs of the player. The electronic circuitry is analogue in design and will react faithfully to all the subtleties and harmonic overtones from the guitar. The effect produced is very unique but human in quality. The unit that is manufactured today is representative of the latest evolution of Octavia that Jimi used and contains the feedforward and gating effect that earlier versions lacked.
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ROGER MAYER Vision Octavia
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ROGER MAYER VISION OCTAVIA. The octavia is probably Roger Mayer's most famous and distinctive creation. The octavia produces a sound that is an octave higher than the note you are presently playing. The electronic circuitry is analogue in design and will react faithfully to all the subtleties and harmonic overtones from the guitar. The effect produced is very unique but human in quality. The units that are manufactured today are representative of the latest evolution of Octavia that Jimi used and contains the feed forward and gating effect that their earlier evolutions lacked.
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ROGER MAYER Voodoo Boost
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ROGER MAYER VOODOO BOOST. The Voodoo Boost is the latest in the Voodoo Series of analogue guitar effects. It has been designed expressly to compliment the many various designs of amplifiers in use today and should be used last in the effects chain just before the amplifier. It controls not only volume boost but also has a fatness control and gain/distortion control to give a truly wide range of operational possibilities. The direct dual drive outputs also make parallel or multi path processing easy without having to buy any other splitter device.
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ROGER MAYER Vision Concord Treble Booster
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ROGER MAYER VISION CONCORD TREBLE BOOSTER. The Concorde Treble Booster is housed in the new Vision Series enclosure design and uses both silicon and germanium transistors in a unique configuration to obtain the best tone qualities. The Concorde + uses a unique approach of combining a low noise class A silicon drive circuit with passive tone shaping to drive a fully optimised germanium treble booster. This results in giving the simple circuit new life and explores its sonic boundaries to the maximum.
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ROGER MAYER Voodoo Blues
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A lot of people have requested me to make new unique dual purpose guitar pedal with clean sustain and overdrive that can be used with chords. I am proud to announce the Voodoo-Blues a revolutionary new design which can be set to provide both overdrive and clean boost. I have over the years repeatedly refused to make an updated copy or clone of the Tube Screamer because I personally was never happy with its nasal tone and lack of detail and dynamics. A new innovative design approach was needed to make a unique product that would be a significant improvement. The Voodoo-Blues is the result. A unique new guitar effects pedal that uses a completely different circuit to produce a set of very musical overtones with feed forward compression as it slips into overdrive. The full dynamics and detail of the guitars tone are faithfully preserved and the unit cleans up perfectly with the guitar Volume control.
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ROGER MAYER Page 1
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ROGER MAYER PAGE 1. In 1964 Roger Mayer designed their first fuzz guitar effects pedal that was used by Jimmy Page and Big Jim Sullivan and featured on many early hit records. They are pleased to announce that after 40 years this early ground breaking fuzz is available again. It uses carefully selected germanium transistors and has the same distortion section as the original 1964 version.
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ROGER MAYER Voodoo Vibe JR
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ROGER MAYER VOODOO VIBE JR. The Voodoo Vibe Jr is the smaller brother of our famous Voodoo Vibe, which is used by so many great guitarists such as Page and Clapton and still today remains the standard by which all other Vibe type clones are judged. It has been designed in response to the many requests of having a smaller unit with less knobs that still gives the great tone of it's bigger and more complicated brother. The Vibe Jr has the same circuitry and configuration but does not have the Tremolo function nor does it have the choice of sine or triangular waveforms in three ranges and the symmetry controls.
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ROGER MAYER TC Vibe
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ROGER MAYER TC VIBE. The Vibe TC is the latest evolution from our famous Voodoo Vibe which is used by so many great guitarists such as Page, Clapton, and Gilmour and remains the benchmark industry standard for this type of pedal. The TC version has the same chorus sound of the bigger Vibe with the easy performance foot controls of SPEED and INTENSITY all housed in a smaller size enclosure that caters for today's modern needs. There are also 2 smaller soft touch controls for SWEEP and LEVEL. This new format is very simple to use and has been designed to produce great sounds instantly with no fuss straight from the box. The 2 large knobs make accurate adjustment of SPEED and INTENSITY very fast and player friendly.
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ROGER MAYER Voodoo Vibe Plus +
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ROGER MAYER VOODOO VIBE PLUS +. The Voodoo Vibe Plus + (formerly known as Voodoo Vibe) is Roger Mayer's latest evolution of the famous Uni-vibe guitar effects unit as used by Jimi and Robin Trower. The units best-known user was of course Jimi who used the Uni-Vibe at Woodstock and it's underwater sound is identified on such tracks as Machine Gun. Voodoo-Vibe goes much further in expanding the basic good filter sound of the original but with a host of new features that make the Voodoo-Vibe today's choice of player such as Page and Clapton. These new features and of course the fact that the unit includes a Tremolo function together with the usual Chorus and Vibrato.
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